-All the King's Men, 57-58
I've been thinking about Nabokov today, so this passage brings to mind a butterfly pinned to a board. A human's created here, but at a distance with a scientific objectiveness to common experience.
If I explain myself, it will only tell you more about me by reminding you that I'm human. It's not who played with me on the playground as a child that defines me, it's that I played, that a past exists at all. I can think of myself as a set of Matryoshka dolls, with smaller "Mes" nestled inside each new version until one doll is visible. And all the dolls exist in me but for the most part only one matters, the visible one. As a writer of other characters, what's the point of explaining the exact patterns and colors on the smallest doll's dress when you can just open up yourself and look at your own? To get others to do the same.
I've been thinking about Nabokov today, so this passage brings to mind a butterfly pinned to a board. A human's created here, but at a distance with a scientific objectiveness to common experience.
If I explain myself, it will only tell you more about me by reminding you that I'm human. It's not who played with me on the playground as a child that defines me, it's that I played, that a past exists at all. I can think of myself as a set of Matryoshka dolls, with smaller "Mes" nestled inside each new version until one doll is visible. And all the dolls exist in me but for the most part only one matters, the visible one. As a writer of other characters, what's the point of explaining the exact patterns and colors on the smallest doll's dress when you can just open up yourself and look at your own? To get others to do the same.
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